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Jacob Faber or Jakob Faber, also known as the "Master IF" from the monogram on his prints, was a formschneider ("block-cutter") of woodcuts and metalcuts, engraver, designer of decorative prints (alphabets, borders etc.) and publisher. Faber was active in the period 1516-1550, in Basel in Switzerland and subsequently in France.〔(Getty Union Artist Name List );〕 Jacob Faber is a German form of what was presumably his original name, Jacques Lefèvre, a common French name – the equivalent of John Smith – shared by several other figures active in similar circles at the period; the main ones are mentioned below. Faber was especially noted for the many metalcut title-page borders and book illustrations he made to designs by Hans Holbein the Younger in Basel in the 1520s. ==Life== Faber was born in France or Lorraine,〔(British Museum )〕 the latter information coming from a reference in a letter by Erasmus of 1524.〔Dodgson, 282. Erasmus lived in Froben's house when in Basel.〕 Possibly after training in Paris,〔Bietenholz and Deutscher entry〕 he was in Basel in Switzerland working for Johann Froben by March 1516, and remained there until returning to France in 1524,〔or 1525 or 1526, per Bietenholz and Deutscher entry〕 to Paris and perhaps later Lyons, where he was used by the local publishers in the 1540s.〔Dodgson〕 He was associated with major Reformation figures, and may have become a Huguenot himself, which would agree with a move to Lyons, unlike Paris a city with a strong Huguenot presence. He may be the "Jacques Lefèvre, dit le tailleur d'histoires" ("called the cutter of stories") accused of heresy in Paris in 1534-35,〔Bietenholz and Deutscher entry〕 but unlike 17 others at the time, not executed.〔Parshall, 216, Dodgson, 282, see also Bietenholz and Deutscher entry〕 He seems to have lived until about 1550.〔(Hind )〕 The "enterprising" and mobile Faber undertook a variety of roles,〔see Bietenholz and Deutscher entry for evidence of his travels.〕 but all were essentially within the book publishing industry; almost all his images are for books. He produced illustrations himself in all three techniques then used for book illustration: woodcut, engraving and metalcut, but appears always to have used the designs of artists, except perhaps for decorative work. He was the main producer of metalcut plates for the important publisher Johann Froben in Basel. He acted as a middle-man for larger publishers, according to Peter Parshall, and "eventually operated as an independent agent commissioning and trading blocks and plates with French and Swiss publishers".〔Parshall, 216〕 In this capacity he worked with Hans Holbein, Hans Lützelburger, and others.〔().〕 He was "also in close contact with major figures in the Reformation movement".〔Parshall, 216〕 His habit of signing merely with his initials ensured that his identity sank into obscurity, until he was identified again in the mid-19th century and eventually recognized as the major interpreter of the younger Holbein's designs in the medium of metalcuts, though when left to his own devices, his abilities as a designer were mediocre - "wretched stuff", according to Campbell Dodgson, Keeper of Prints at the British Museum.〔Dodgson, 1943:285.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jacob Faber」の詳細全文を読む スポンサード リンク
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